As soon as you leave the Alcalá de Henares train station and walk toward the historic center, a richly decorated Neo‑Mudéjar brick building im<a href="https://warsaw.today/norwegian-media-sue-meta-over-plans-to-use-their-journalism-for-ai/” title=”Norwegian media sue Meta over plans to use their journalism for AI”>mediately stands out, reminiscent of Comillas Palace by Gaudí. This is Laredo Palace, created by Manuel José Laredo (1842–1896), who was not only the city’s mayor but also a painter, decorator, and restorer.
Completed in 1886, the palace blends Neo‑Mudéjar, Neo‑Gothic, and Modernist elements. Although the official architect was Juan José de Urquijo, Laredo personally directed the entire project, inspired by William Morris’s Arts and Crafts movement. He oversaw everything from the architectural plans to the interior decoration.
The exterior features brick façades with geometric patterns, galleries with Moorish latticework, and, most notably, a clock‑tower minaret topped with a dome covered in green and white glazed ceramic scales.
Inside, Laredo painted Modernist decorative motifs and others inspired by Pompeian frescoes. One highlight is the “Hall of Kings,” which contains portraits of monarchs and a ceiling depicting the medieval understanding of the cosmos. Neo‑Mudéjar and Moorish elements dominate the interior, including a small Arab room adorned with plasterwork and tiles inspired by the Alhambra.
To reinforce this aesthetic, Laredo incorporated archaeological pieces from other buildings: the vault and columns from Santorcaz Castle, coffered ceilings from the Palace of the Marquises of Tendilla, and tiles from the Palace of Peter I, among others.
Today, the palace houses a small museum where visitors can see, among other exhibits, a complete copy of the Complutensian Polyglot Bible, the first of its kind in the world.
Source: www.atlasobscura.com
